Archive
2024
2023
- 11.02: Méditations
- 10.15: Notes sur La Répétition, Rachel Bespaloff
- 09.03: 空隙
- 08.26: In the orchard
- 08.24: Poésie, psychanalyse, attention, écoute
- 08.19: 声音、音乐
- 08.15: L'amour impossible
- 07.30: « C.A.L.Y.P.S.O. », Paul Valéry
- 06.26: 碎片2020
- 06.22: 河豚气球之歌
- 06.19: 19.06
- 06.11: “True Night”, Alvin Feinman
- 05.01: 记忆的空间
- 04.12: 帽子的梦
- 04.10: 语言与死亡
- 04.03: 地狱的想象
- 03.05: The Pieces of My Voice, A. R. Ammons
- 02.28: Un Diner en Enfer
- 02.05: As the wakeful bird sings darkling
- 01.17: Death of a False Prophet
- 01.07: Unrealised Loss
2022
2021
2020
- 09.18: "Ô saisons, ô châteaux ...", Arthur Rimbaud
- 09.06: “Sunday Morning”, Wallace Stevens
- 08.29: “Rainy Season; Sub-Tropics”, Elizabeth Bishop
- 08.25: “Large Red Man Reading”, Wallace Stevens
- 08.21: “The Poor Poet”, Czesław Miłosz
- 08.16: “The Roads”, Edward Thomas
- 06.21: 行路
- 06.06: 碎的镶嵌画
- 06.02: 河流与风暴
- 05.24: 3月のライオン
- 05.17: “The Woman in Sunshine”, Wallace Stevens
- 05.03: Reading ‘The Drowned and The Saved’
- 04.12: 晚风
- 04.11: L’ennui, l’étonnement
- 04.08: Cronaca II
- 03.15: Cronaca I
- 02.06: Against Paywall
- 01.11: 2019
2019
- 10.31: “The Province of the Saved”, Emily Dickinson
- 10.27: 读 Hart Crane 书信 一
- 10.20: 片段
- 10.09: 植物园 二
- 10.07: 正午的荒漠
- 10.06: “Tea at the Palaz of Hoon”, Wallace Stevens
- 10.06: ‘My Grandmother’s love letters’, Hart Crane
- 10.05: 秋
- 08.20: 20/08
- 07.13: 身体
- 04.17: Vie de Beethoven
- 04.06: 理解或审判
- 04.01: 无尽的阶梯
- 03.05: Prise
- 03.04: 终止社交网络 I